#americanbandstand #bandstanddiaries #nostalgia #television #philadelphia #carolescaldeferri #fashion #vintage. ( Log Out / This was followed by a further reduction in air-time to one-half hour starting in September of 1962. White collars would protrude from their tops and soon young girls across the nation were imitating the “Bandbox Philadelphia Collar” style. Little Peggy March's "i will persist with Him." Dick Clark imposed a dress code on ‘American Bandstand’ to mollify adults: ‘Nobody dressed that way in real life.’ David Kirby reviews “Music in the Age of Anxiety: American … Here are some of the most popular Regulars who danced on Dick Clark's American Bandstand beginning in 1957. etc. Clark also established a formal dress code, mandating dresses and skirts for the women and a coat and tie for the men. Horn carried on with his unique format of televising kids dancing. Bob and Justine soon thereafter broke up making room for the next Bandstand couple of choice. He once was asked to appear at a Catholic school dance in Mahonoy City, PA by a priest to help boost the usual attendance which would be around 100 to 150 kids. Featuring guest artists who lip-synced to their latest tunes, and a teenage audience whose members danced for the cameras, the show launched a conga line of dance crazes, fashion … It was written by Charles Albertine. Some were told that they lacked a membership card, others that they did not meet the dress code, and others that the studio was full. Eddy was still listed as a solo act but would soon be credited as being backed by “The Rebels” with their debut being on Jamie 1111 “Cannon Ball” b/w Mason Dixon Line”. Almost all would assume a place in life typical of most of us and they spread throughout the country far and wide. Clark’s own Swan Records would respond to this need with the release of Billy and Lillie’s “Luck Lady Bug”. The break-through recording for Jamie Records was “Rebel-‘Rouser” released in 1958 and charting at #6 in June of 1958. What is the dress code? A monster dance step was introduced primarily on Bandstand when a young black couple were doing it. The first big break-through for Swan came with a song written by Freddy Cannon’s mother with some assistance (probably a lot) from Bob Crewe and Frank Slay. When the TV program American Bandstand passed its 50 th anniversary, there was no commemoration. And today many would be into their early 80’s! #americanbandstand #bandstanddiaries #nostalgia #bobhorn #littlero #philadelphia #book #author, Known for her style and signature headbands, Carole Scaldeferri was a fashionista and beloved Regular on American Bandstand from 1957-1961. Change ). The popular, multi-decade American Bandstand showed white and black teens listening and enjoying music together during a time when it was socially frowned upon. From the start the national viewing audience wanted to see the latest dance steps and the Bandstand camera crew accommodated them with close-ups of the dancer’s feet. As we remember Dick Clark, we’re highlighting a few Bandstand … “American Bandstand” departed from Philadelphia on February 8th, 1974 moving into the ABC Television Center in Los Angeles. He kindly wrote a piece about his American Bandstand experience: being on the show, the Regulars and Dick Clark. By 1965, Dick Clark, then 35 years old, was making about $1 million a year. (I was fortunate to see Freddy Cannon twice – once at McNichol’s Arena in Denver and once on Dick Clark’s Caravan of Stars in Fresno, California – He was the opener for both concerts and really got the crowds going.). #americanbandstand #bandstanddiaries #edkelly #dickclark #nostalgia #book, Here are Marilyn Brown and Diane Iaquinto. These interests would still be in question when Clark was summoned to appear before the payola congressional hearings – More on those hearings later which were a thinly veiled assault on rock and roll and black music in general. www.bandstanddiaries.com #americanbandstand #bandstanddiaries #bobbiyoung #dickclark #elvispresley #television #nostalgia #book #author #coffeetablebook #philadelphia, Nino Bambino was invited to American Bandstand where he danced from 1956-1958 by Little Ro who became his girlfriend for three months. Then, in September of 1963 the show went to a Saturday only format – broadcasting again for a full hour. ( Log Out / When cute young teenagers Arlene Sullivan and Kenny Rossi slow danced together on “American Bandstand” back in the late ’50s and … Did you know she became a Regular the same day as Carole Scalderferri? Girls had to wear skirts. The programming for American Bandstand can get a little cloudy at times – Sources conflict at times – but here is a shot at the classic American teenager program. The food was average, the usual burgers and shakes reminiscent of the day. Post was not sent - check your email addresses! The couple took a stab a stardom recording a single titled “Drive-In Movie” which quickly flopped. Selection of Committee members was determined by fan mail which would run heavy for certain couples on the show. “It’s got a good beat and you can dance to it”. Jun 15, 2013 - Explore Nancy Wagner's board "American Bandstand" on Pinterest. This was from 1969 until 1974. They both danced on American Bandstand from 1960-1963. The "nostalgia" was okay; not many items displayed that would make a boomer go "Wow!". When they started dancing on American Bandstand it would take them an hour to get to the studio by bus and train. Dick Clark approached the group with a heartfelt explanation for the change and asked them just to give him a chance. American Bandstand became a powerful symbol of American teenage culture with its nearly four-decade look at the ever-changing tastes of the country's youth. That TV show was based on "American Bandstand," the ABC network program which originated in Philadelphia as "Bandstand." For more about your favorite dancers read Bandstand Diaries #americanbandstand #bandstanddiaries #dickclark #philadelphia, Painfully shy, Lenny Natale who danced on American Bandstand from 1955-1958 was introduced to the Regulars by Joe Fusco-his lifelong friend. By 1959 American Bandstand was being watched by 20 million fans nationally and millions more around the world. [xix] Between 1958 and 1963, the Philadelphia Tribune also published seven editorials or letters to the editor regarding American Bandstand’s exclusion of … Authentic 70's Band T shirt, American BandStand XL Tee, Screen Star Tag Tee, Upcycled 100 Cotton White, TV Graphic shirt, Rock n Roll Tee WaitingForHarry 5 out of 5 stars (115) “Bandstand” – as it was originally titled, had it’s beginnings back in the fall of 1952 when it was created by Philadelphia station WFIL and was first hosted by a duo of Bob Horn and Lee Stewart. This was played until the very end of the Dick Clark era – 1987. Clark quickly remedied that by personally speaking with the kids outside the studio as they were picketing the opening of his first program. When the doors opened he carefully watched those entering into the studio and there they were – the Regulars were going to give Dick Clark a try. Dick Clark recalls how many time new dances would spring up on Bandstand that didn’t have an actual recording to go with it. Girls had to wear skirts. Change ), You are commenting using your Google account. Canvas sneakers were just coming into fashion but weren’t in fashion for a dance. For the boys coats and or sweaters and ties were required. The first instrumental theme song for the local version of “Bandstand” was “High Society” by Artie Shaw. Full-time color TV broadcasts were in place by September, 1967. The “Rebels” were in fact a group of session musicians that included sax players Steve Douglas and Jim Horn as well as keyboardist Larry Knechtel – who would all become regulars for Phil Spector’s studio dramatics. Sadly she passed away in 2013, but fans, fellow dancers, and family hold on to those fond memories. The kids lined up for this dance to one of Chuck Willis’ recordings “C.C. They were readily available to appear on the show especially when a performer was quickly needed since they lived so close by. Change ), You are commenting using your Twitter account. For more read Bandstand Diaries. Change ), You are commenting using your Facebook account. “Did You Cry” stumbled but “Click Clack” managed to become the charting side. Get premium, high resolution news photos at … Then in 1969 American Bandstand switched to a synthesized “Bandstand Theme” composed by Mike Curb. Dancing on American Bandstand American Bandstand. That becomes understandable when you learn that its original host led a sordid life that included a sexual affair with a teenage girl. The two didn’t get along particularly well and in 1955 Stewart was encouraged to depart. etc. Much was lost when the show began taping five episodes all on single Saturdays in 1963 to be shown during the week and allowing Dick Clark to turn his attention to other endeavors. This was Duane Eddy who was brought to the attention of Jamie Records by his producer – Lee Hazelwood. After Bandstand, Charlette became an accountant and was a business manager. American Bandstand’s Untold Story. Note that the guys were all wearing sports coats and dress shoes. American Bandstand was all about the kids and the dancing. But he did have a few very close performing friends and these were Frankie Avalon and Fabian – both local Philadelphia kids. Appearing in the very FIRST episode of the show in 1952, read all about his experience. He told them and so they returned home to soon cut a new record. During this same time period a very young Dick Clark was hosting the radio version of “Bandstand” also at the WFIL studios. He landed The Boenqee Cryque, and The Rainy Daze among others. #vintage #rocknroll #bandstanddiaries, Bobbi Young appeared on Bandstand and American Bandstand from 1953-1958. An Elvis Presley fan, did you know she was the only Regular Dick Clark invited to go see Elvis at the Arena in 1956? While on the show he often danced with Susan Beltrante and Ivette Jimenez. ( Log Out / When the doors opened – Clark was greatly relieved to see the would-be protestors enter into the studio – and “American Bandstand” was born. Starting up Swan Records in late 1957 was Clark’s second label partnership and would feature Freddy Cannon – a singer with limited range but who provided a whole lot of excitement. How long does the show last? He returned inside and awaited the opening of the initial show. As we remember Dick Clark, we’re highlighting a few Bandstand … Smith recalls the closeting of American Bandstand’s LGBT youths. ( Log Out / Then in the summer of 1956 Bob Horn fell from grace – hit with a drunk driven charge and was promptly dispatched. The show would start at 2:30 PM each afternoon Philadelphia time and so the students from nearby West Catholic High School would be the first to arrive since school let out at 2:30. The biggest hit Broadway musical of 2002 is Hairspray, a fictional story about the racial integration of a teen dance program in television's early days. American Bandstand. After Bandstand she enrolled in acting school and modeled.For more dancers read Bandstand Diaries: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #nostalgia #janethamill #book #philadelphia, Here is Ed Kelly who was a dancer on American Bandstand from 1959-1961. The rules and dress code were strict on American Bandstand. He had been very popular with the kids on Bandstand and they initially were reluctant to accept his young successor – Dick Clark. See more ideas about american bandstand, american, dance. Authentic 70's Band T shirt, American BandStand XL Tee, Screen Star Tag Tee, Upcycled 100 Cotton White, TV Graphic shirt, Rock n Roll Tee WaitingForHarry 5 out of 5 stars (115) A guest act on Bandstand watched and asked Clark what they were doing. The rules and dress code were strict on American Bandstand. When Tommy appeared, more than 1,500 showed up – larger than the teen population of the entire town. The show would start at 2:30 PM each afternoon Philadelphia time and so the students from nearby West Catholic High School would be the first to arrive since school let out at 2:30. Her cousin Tilda was head of the Committee and so she was able to get in regularly. The Bandstand regulars gathered around to watch. In short order the nuns put a prompt end to that requiring them to cover up their dresses with sweaters. She took a variety of dance lessons when she was young, including tap, modern and ballet. Soaring into popularity, she would receive 500-600 fan letters a week. Bob and Justine won Bandstand’s first “jitterbug” contest, receiving over a million votes via the U.S. Mail. For more about your favorite dancers, read Bandstand Diaries. Same held true for Chubby Checker and Bobby Rydell. Dick Clark feels that perhaps the most popular of all the boys to appear on the show was Tommy DeNoble. On these he was thrown in with the performers for night after night – sharing a bus, motels and at first the indignities of performing in the South with mixed race musicians. American Bandstand (1952-89) was a massively popular music television program with strong Philadelphia roots, storied national success, and the power to shape the music industry and society. Finally in 1977 the show featured Barry Manilow’s rendition of “Bandstand Boogie” – a vocal version. Casual, you are on vacation! Leather sneakers or athletic shoes weren’t around yet. Clark asked the couple what in the world they were doing to which they responded “The Twist!” as though he should have known. I will take this presentation as far as I am able – toward and up-to-the-date when “American Bandstand” migrated to Los Angeles, California. This continued up through 1989. Anna became close friends with Steve Lewis when she went on the show. chum Holly. One member of “The Don’ts” was former Rhythm Orchid Dave Alldred from that band which featured also Jimmy Bowen and Buddy Knox. The Swing Dance Contest has been going on for about 4 weeks now and today we get to see the finalists all together for the first time. The entire label stable had easy access to appearing on American Bandstand and were often summoned with little notice when an act failed to show. For more about your favorite dancers, read Bandstand Diaries: www.bandstanddiaries.com #americanbandstand #bandstanddiaries #dickclark #book #philadelphia #nostalgia #telephone, Having started dancing on Bandstand during the Bob Horn days, did you know Rosemary "Little Ro" Fergione Siermine was 11 years old at the time? American Bandstand originated in Philadelphia in the early 1950’s as a local dance program, then catapulted to national prominence in August, 1957. His first release was “Moovin’ n’ Groovin'” b/w “Up and Down”. Did you know they were best friends since the 1st grade? She had idolized Arlene Sullivan when she was a Regular. Once in a while a new couple would attract attention of the viewers and they would be added to the ranks of the chosen. Did you know he helped launch The Oprah Winfrey Show? Johnny Preston's, "working bear" and "That'll be the Day" by employing chum Holly's Crickets. For more about your favorite dancers, and life after Bandstand read Bandstand Diaries. And his nationally televised American Bandstand influenced music, dance and fashion, establishing Clark as one of the savviest businessmen of the 20th century. But perhaps the most impactful change that Clark made to the show was ending "American Bandstand's" all-white policy, allowing African American artists to … In the beginning the West Catholic girls wore their school uniforms into Bandstand. She met Elvis backstage before the show! At first, not knowing how to enter the show, she walked to the door the actors and singers used and announced to Bob the Cop, "I came here to dance." Ernest Evans recorded a near identical version of the song as Hank Ballard’s earlier effort and hit the big time – twice in fact – with “The Twist” going to number one in successive years, making it the only record ever during the rock and roll era to re-enter the charts and return to the number 1 position. In 1957 Dick Clark became one-fourth owner of Jamie Records. As for the origins of the dances that American Bandstand’swhite dancers introduced to the nation’s teens, the … The first three acts to appear on the label were The Tritones, The Sharps and Robert Byrd and his Orchestra. He has remained friends with many Regulars. 136 talking about this. Fan mail was screened by the WFIL staff by agreement with the kids due to pornographic material sometimes being enclosed or overly suggestive content and invitations – but most mail ran clean and innocent from every part of the world. This was the norm for school dances in many parts of the country. That TV show was based on "American Bandstand," the ABC network program which originated in Philadelphia as "Bandstand." "Little Ro" danced from 1953-1958. American Bandstand debuted nationally on August 5, 1957, from 3 to 4:30 p.m. across forty-eight of ABC’s affiliate stations (viewers in Philadelphia received an extra sixty minutes of Bandstand, as the program continued to broadcast locally from 2:30 to 3 and from 4:30 to 5:00 p.m.). The very last show was broadcast on April 8th, 1989. I understand having decor of the American Bandstand time period, but the overall facility itself seems worn out. “Some were told that they lacked a membership card, others that they did not meet the dress code, and others that the studio was full.” 7. American Bandstand began in 1957 and continued until ... Clark required a formal dress code of dresses or skirts for girls and coats and ties for boys that helped establish the … Featuring guest artists who lip-synced to their latest tunes, and a teenage audience whose members danced for the cameras, the show launched a conga line of dance crazes, fashion … and "occasion Doll". Many of the early 50’s pop singers appeared on the show but Horn injected a new brand of music – r&b and rock and roll. Clark and his associates thought the backing group should have a name but no one could decide until Swan partner Tony Mammarella shouted “For Christ sakes! Swan’s first signing was an artist calling himself “Dicky Doo” who was Gerry Granahan. Cameo Records was the beneficiary of many dance steps introduced on Bandstand – filling the need for a corresponding recording with releases from The Orlons (“The Wha Watusi” and “Crossfire”), Dee Dee Sharp (“Mashed Potatoes”), Bobby Rydell (“The Cha Cha Cha”), Chubby with (“Dance the Mess Around”, “The Fly”, “Limbo Rock”), Dee Dee Sharp (“Mashed Potato Time, “Ride”, and “Gravy”), and The Dovells (“The Bristol Stomp”, “Do the New Continental”, “Bristol Twistin’ Annie”, and “Hully Gully Baby”). The fiftieth Anniversary of **** Clark's American Bandstand Theater, in Branson Missouri improve into held final March 2007 See more ideas about american bandstand, american, rock and roll. This wasn’t due to aloofness or by design but as he describes in his memoir “Rock, Roll and Remember” just how it was since most performers would arrive at the studio usually just moments before their performance and were staged in a holding room away from the kids. "Jim Dandy" . He relates “We ripped off their label, after a fashion. Dick Clark recounts that in spite of the tremendous popularity of many of the programs “Regulars” – none would go on to become stars. Throughout the rest of the 1950s, "American Bandstand" featured a number of famous acts including the debut of Paul Simon and Art Garfunkel (November 22, 1957), Jerry Lee Lewis (March 18, 1958), and Dion and the Belmonts (August 7, 1958). Airdate: May 23, 1970Chicago’s very first top 40 hit, “Make Me Smile”, is at #17 today and will peak at #9 in 2 weeks. Clark was the host of American Bandstand in the late ‘50s through the mid-‘60s. They had a black and yellow label with special signature logo; we copied the label in maroon on white because we couldn’t afford more than one color.”. The rebel-like shouts and yells – and hand claps on the recording were performed by The Rivington’s of “Papa-Oom-Mow-Mow” and “The Bird’s The Word” fame. But in the fall of that year, it became a once-a-week show run on Saturday afternoons. For more about your favorite dancers, read Bandstand Diaries. Today in our new blog post we hear from from Mickey (Bandstand) Cullen, a Regular from the #BobHorn days. Dancing on American Bandstand Soon Clark witnessed many of the Bandstand kids doing the step as well. Hundred’s of teenagers would line up outside the studio for admittance each day – but a select group – who came to be known as “The Committee” (and by viewers as “The Regulars”) would be permitted automatic entry into the program each afternoon. Clark required a formal dress code … Later, Ro bought Justine and Arlene onto the show as they lived in the same area. The Rock era began with conservative 50s and 60s dress. They were followed by early 1960’s couple Ken Rossi and Arlene Sullivan. #americanbandstand #bandstanddiaries #philadelphia #television #nostalgia #book #author #coffeetablebook #lennynatale #kennyrossi, Here is Janet Hamill who danced on American Bandstand from 1957-1960. In the 1960’s Frank Slay would form Chicory Records and was a frequent visitor to Denver, Colorado to seek recording talent – attending KIMN radio’s “Battle of the Bands”. He was disappointed with the records he had to play and yearned to cross over more towards Horn’s format. The two were an item for a time and both would become very close friends with Dick Clark and would help him get through some of the tougher times in his life (payola scandal, divorce and the like). For the boys coats and or sweaters and ties were required. Dick Clark’s version of the naming of Ernest Evans was that Clark and his wife Barbara watched Evans perform which afterwards Barbara observed something along the lines of ‘He’s adorable – Just like a little Fats Domino – a Chubby Checker”.